Too often, documentary filmmakers fall back on using animation in a rudimentary way, just to keep the audience from zoning out during some long anecdote or info dump. But in director Inna Sahakyan’s ...

It’s the first animated film from documentary director Inna Sahakyan, whose previous work includes The Last Tightrope Dancer In Armenia (2010) and Mel (2022), a portrait of a celebrated Armenian ...

Too often, documentary filmmakers fall back on using animation in a rudimentary way, just to keep the audience from zoning out during some long anecdote or info dump. But in director Inna Sahakyan’s ...