Frames from ‘La légende des ondines’ (1911) featured in ‘Fantasia of Color in Early Cinema’ (GIF by the author via Vimeo) Cover of ‘Fantasia of Color in Early Cinema’ (click to enlarge) Its over 300 ...

Color in Motion explores this history of color in film at the Academy Museum. Color in Motion explores the power of color as a filmmaking tool, the science and technologies behind it, and its impact ...

IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more. The Early Color Cinema Equipment ...

25 iconic directors’ first films in color The early 20th-century film industry experienced several technological innovations that would forever define the art form. Along with the genesis of ...

WHAT IT’S ABOUT “Colorizing” black-and-white movies remains controversial, some 30 years after initial attempts to make old films peacock-palatable in a color TV world. The original computer process ...

Color theory might sound like nothing more than a cinematic buzzword you last heard in your 300-level fine arts course at university. But the reality is, color theory is the set of rules and ...

With a speed of ISO 800, Cinema promises saturated colors and moderate grain. Dubble says that a halo effect will be visible around red light, and when shot during the day, Cinema delivers bluish ...

Kodakman George Eastman had some guests—Thomas Alva Edison, Henry Fairfield Osborn, Michael I. Pupin, General John J. Pershing, Owen D. Young and many another bigwig—at his home in Rochester, N. Y., ...

Liam Gaughan is a film and TV writer at Collider. He has been writing film reviews and news coverage for ten years. Between relentlessly adding new titles to his watchlist and attending as many ...

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