A Senegalese taxi drivers attempts to befriend a grumpy old man is at the heart of GOODBYE SOLO, an observant two-character drama from director Rahmin Bahrani (MAN PUSH CART). Souléymane Sy Savané ...

“‘Goodbye Solo’ is my third feature film,” “Solo” director Ramin Bahrani explains in a first-person article for indieWIRE. “The story is about Solo, a young, friendly Senegalese taxi driver in Winston ...

Over the course of his three features Ramin Bahrani’s accomplished what fewer and fewer American filmmakers have been able to over the past funding-starved decade. Against all the odds facing the ...

At 73, the Memphis-born actor, stuntman, former U.S. Marine, and Golden Gloves boxer Red West has the stoic, leathery repose of a barfly on a John Ford or Howard Hawks saloon wall. He doesn’t talk ...

At 73, the Memphis-born actor, stuntman, former U.S. Marine and Golden Gloves boxer Red West has the stoic, leathery repose of a barfly on a John Ford or Howard Hawks saloon wall. He doesn’t talk much ...

In this benign version of “Collateral,” the only person a cabbie’s passenger wants to kill is himself. Ramin Bahrani‘s brilliant follow-up to “Man Push Cart” and “Chop Shop” concerns a Senegalese taxi ...

The first scene - a long single two-shot of the two main characters, much as they are seen in the above still - plunges us straight into their curious relationship. The passenger, William, is a man in ...