François Ozon’s adaptation of the 1942 novella L’Etranger passionately honours the original text while bringing a contemporary perspective to its themes of empire and race A heatstricken reverie of ...
Before Dean Moriarty in On the Road and James Dean in Rebel Without a Cause, there was Meursault, the nihilistic antihero of Albert Camus' first novel, The Stranger (L'étranger), and one of modern ...