As of exactly two weeks ago, the Merce Cunningham Dance Company could still drive audiences to a near-revolt, with a performance at Wolf Trap leading to cheering, a few boos and a shouting match ...
“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...
The origins and evolutions of Modern Dance in America. To Feel the Earth and Touch the Sky, Living the Legacy of American Modern Dance is a film highlighting the boundary breaking figures in the ...
Performances in N.Y.C. Advertisement Supported by An oral history project, “Planting Seeds,” considers the history and impact of an American Dance Festival program to train dancers in China. By Brian ...
Performances in N.Y.C. Joyful, melancholy, heroic: Paul Taylor’s “Esplanade” celebrates its 50th anniversary and the extraordinariness of ordinary movement. Joyful, melancholy, heroic: Paul Taylor’s ...
In 1929 an American critic, Henry McBride, observed that “the centre of the world has shifted” from Paris to New York. America did not just have cultural capital—it was becoming the West’s cultural ...
“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...
The experience of exile, whether literal or symbolic, is inevitably reflected in an individual’s body. Feeling cut off from one’s roots, or viewing yourself as a stranger in a foreign land, influences ...
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