Director Dean Fleischer Camp brings a light touch of the tender-hearted sensibility of his “Marcel the Shell with Shoes On.” ...

Today's dispatch include Jodie Foster's first French-language film and a sprawling Russian epic about a Nazi monster.

For me, a critic who had to part ways with Cannes too early to see acclaimed new films by Bi Gan, The Dardennes, and Joachim Trier, but still managed to see over 30, including over half the ...

Now, I’m not going to beat around the bush: the modest midnight section at Cannes has been disappointing: “Dalloway” was a ...

The relationship between art and power—and, more specifically, cinema and power—is the subject of “Eagles of the Republic,” ...

Cannes seemed more interested than usual in examining its own history in this year’s program, whether it’s the building of a ...

The following table of contents contains RogerEbert.com’s coverage of the 2025 Cannes Film Festival, which includes full ...

A Totally Epic, Way Opinionated History of Teen Moviesis an absolute delight, with fascinating details, first about ...

Sons of the Neon Night ,” a midnight selection, is a disturbingly bad, wildly incoherent Chinese crime action-thriller. Juno ...

The scope of Cannes expands and contracts with three films that either peer into hometowns or box in their cinematic frames.

On three Cannes premieres, including films from Lynne Ramsay, Christian Petzold, and one of the best debuts in years.

A thousand hopes reside in “ My Father’s Shadow ,” the crushingly personal semi-autobiographical film by director Akinola ...