In what might be the boldest move of Danny Boyle’s career, 28 YEARS LATER begins with The Teletubbies. Shot like it’s 2002, ...

Stay tuned as we tighten up the edit, restore some lost frames, and get everything looking properly cinematic again.

Let’s address the elephant, or rather the gargantuan dragon, in the room. Outside of commercial motivations, this near-identical remake offers little in the way of artistic justification. And yet, ...

Lux plays like a remix of the previous season’s The Devil’s Chord, even reusing some of its sets.Its rubber-band animation is striking, but like Dot and Bubble before it, its commentary on racial ...

If there’s one thing Hollywood loves, it’s exploring itself. From the earliest days of cinema—recreated in everything from Singin’ in the Rain to Babylon—the city of stars is often at its best when ...

Named for Eliot’s modernist poem, the third chapter in Stephen King’s The Dark Tower saga begins to settle into the grander arcs of the cycle. Less fragmented and episodic than its predecessors, The ...

The first 25 minutes of this chapter contain some of the most exciting and well-executed spectacles of sound and vision in the entire series. Lucas takes the frenetic energy of the Return of the Jedi ...

A direct remake of China’s Marry My Dead Body (2022), and with more than a shade of Ghost—if Ghost were a queer buddy comedy—there aren’t many surprises tucked inside THE RED ENVELOPE.Still, as a ...

Nicolas Cage and Australia have a few things in common: from the outside, both can seem otherworldly, perhaps even unknowable. So it feels entirely fitting that Irish filmmaker Lorcan Finnegan casts ...

For the better part of the last fifty years, Stephen King has maintained his dominance over horror and popular literature — and 2025 shows no signs of slowing. With both fresh books and more screen ...

With its mixture of dark comedy and noirish leanings, Paul Feig’s A Simple Favor earned a cult following. Its awkward epilogue hinted at further stories to tell, but none of them exactly screamed for ...

The Accountant, directed by Gavin O’Connor and released in 2016, was packed with a spreadsheet’s worth of plot lines and formulas that didn’t all quite balance out.Yet in the nine years since its ...