From Jamie Crewe’s fantasy-tinged live performance at Tramway to Lisette May Monroe’s study of heartbreak and betrayal at ...

Any requests to work with or speak to the artist go through her puppet ‘manager’ Jerry – this profile included ...

From Silvestre Pestana’s illuminated installation at Galeria Municipal do Porto to a group show tracing a language of queer ...

Emily LaBarge has a good story. The writer’s dream, one might think. Good stories – the more horrifying the better – are high currency in a cynical publishing landscape that capitalizes on traumatic ...

Artists failed to halt the rise of 20th-century fascism. As the far right resurges, can contemporary exhibitions mount a ...

This is summer – sonically speaking – according to the frieze magazine team; curated to accompany our latest summer issue, ...

Printed Matter’s first storefront at 7 Lispenard Street, 1978. Courtesy: Printed Matter; photograph: Peter Downsbrough While ...

The former set designer turned draughtsperson constructs psychologically charged worlds where theatre and literature converge ...

The artist captures fleeting encounters in rapidly composed pictures that say as much about her as they do about her sitters ...

In 1976, as Gabriele Stötzer tells it to Deutsche Welle (DW) in 2019, she was being pursued through Erfurt by a Stasi informant. Overtaken, she was given the message: ‘If you want, you can say that ...

With his ‘blind drawings’ at Okey Dokey Konrad Fischer, New York, the artist answers the question: ‘How do I draw?’ ...

The painter’s first UK institutional show at the Hepworth Wakefield is most compelling when its protagonists are in flux, ...