Take the title track, Ruth Gipps’ little bassoon and piano duet a winning portrait of a cow mooching about, the final bars ...

John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ ...

It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...

I called caroline “perhaps the best band in the U.K” in my article about their debut, which I named my album of the year.

Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone ...

No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise ...

With WOMAD not happening this year, where could one go for a feast of global sounds? Fes in Morocco has been presenting its ...

I wrote here that Lady Gaga was the godmother of the new generation of ostentatiously “theatre kid” pop stars – but actually, ...

Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to ...

Terence Rattigan's rehabilitation – some might almost say deification – as a leading 20th Century playwright is complete. As ...

Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those ...

Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived ...